112dB Jaws - это «динамический биткрашер». В нем есть все, что вы ожидаете от бит-дробилки: уменьшение битов, уменьшение частоты дискретизации, предварительный усилитель, входной и выходной фильтры и т.д. Но также имеется множество опций модуляции. Вы можете модулировать битовую глубину, частоту дискретизации, а также микширование. Кроме того, у Jaws также есть резонансный мультифильтр, который вы также можете модулировать.
That means you can use Jaws in the usual way: to add a little of the charm of the samplers from the 80s by reducing the bit depth or the sample rate. An input and output filter, a vintage colored pre-amp and u-law noise reduction make it possible to approximate this old school sound more closely. Or use Jaws to destroy your sound completely if you are more into ‘industrial’.
PLATFORM : WiN32/64 - VST/VST2/AAX(MODiFiED)
But what Jaws is really about is that you can use all those effects in a creative, fluid way. With the Envelope Follower you can add more crunch to the loud parts of your track (or the softer parts). The LFO makes it possible to create all kinds of weird oscillating effects. If you use this subtly you can add some ‘jitter’ to the sound. On extreme settings you can really go through the roof, and alter the sound beyond recognition.
Key features.
the basics: bit reduction & sample rate reduction
a multimode filter that can be applied pre or post
all parts of the bitcrusher can be modulated: bit depth, sample rate, multi filter, mix
modulatable with LFO, Envelope Follower, or a mix of both
a simulated preamp that adds vintage coloration to the sound
an adjustable input and output filter to remove more or less aliasing according to your wishes, or to which device you want to simulate
a modifiable bias, which enables you to slide between two different quantization methods
a dither function for adjustable noise masking
u-law algorithm (used in many 8-bit samplers for noise reduction, and still used in modern telecommunications).
PLATFORM : WiN32/64 - VST/VST2/AAX(MODiFiED)
But what Jaws is really about is that you can use all those effects in a creative, fluid way. With the Envelope Follower you can add more crunch to the loud parts of your track (or the softer parts). The LFO makes it possible to create all kinds of weird oscillating effects. If you use this subtly you can add some ‘jitter’ to the sound. On extreme settings you can really go through the roof, and alter the sound beyond recognition.
Key features.
the basics: bit reduction & sample rate reduction
a multimode filter that can be applied pre or post
all parts of the bitcrusher can be modulated: bit depth, sample rate, multi filter, mix
modulatable with LFO, Envelope Follower, or a mix of both
a simulated preamp that adds vintage coloration to the sound
an adjustable input and output filter to remove more or less aliasing according to your wishes, or to which device you want to simulate
a modifiable bias, which enables you to slide between two different quantization methods
a dither function for adjustable noise masking
u-law algorithm (used in many 8-bit samplers for noise reduction, and still used in modern telecommunications).
| Сайт разработчика: | 112dB |
| Размер: | 14.94 MB |
Jaws v1.0.1 (Team R2R) |
