Soniccouture Ondioline - эмуляция синтезатора, изобретенного в 1941 году и производимого во Франции на протяжении 1950-х годов / 60-х годов. Он был задуман изобретателем Georges Jenny, как низкая стоимость Ondes Martenot; вибрато клавиатура, с коленным рычагом для формирования уровня. Он был полностью на основе ламп со своим собственным встроенным усилителем и вдохновленный Clavioline, Jennings Univox и Hammond Solovox. Звук может быть удивительно реалистичным, когда вибрато и коленный рычаг используются вместе - органический, извилистый и чрезвычайно выразительный.
In collaboration with Goldfrapps' Will Gregory and Dan Wilson from Hideaway Studio, Soniccouture extensively restored and modified Ondioline no.599 to be sampled and recreated as a Kontakt instrument.
Soniccouture Ondioline KONTAKT screenshot
THE KONTAKT INSTRUMENT
MODELLED IR FILTER SWITCHES
'KNEE-CONTROL' LEVER
ORIGINAL 'JENNY PRESETS' MENU
ADDITIONAL ATTACK/DECAY SETTINGS
The Ondioline is a minimal synthesiser by todays standards, and we have sought to preserve that character in our emulation. No labels are visible until you turn a knob; then they appear. The main switch panel is labelled simply A - R and controls a variety of different oscillator shapes, filters & LFOs. The two large white dials control the level of the two divider circuits - effectively two sub oscillators 1 and 2 octaves below the main.
Soniccouture Ondioline KONTAKT screenshot
MYTHICAL LEAD SOUNDS
A few legendary recordings feed into the myths and misinformation about these early synth instruments: Del Shannon's "Runaway" (1961), The Tornados' "Telstar" (1962), and The Beatles' "Baby, You're a Rich Man" (1967). In fact, most reliable sources point to all of these records being performed on a Clavioline (although it may be that 'Clavioline' is often used as a generic term for any instrument of this type), said to be a simpler version of the Ondioline - although the model used for ‘Runaway’ was heavily modified by player Max Crook, adding tremolo, vibrato and spring reverb.
One of the most well-known Ondioline records is Stereolabs' 'Jenny Ondioline', which is simply a reference to 'George Jenny Ondioline'. The record itself does not feature the instrument.
Ondioline featured in the soundtrack to Spartacus, Tommy James and the Shondells' 1967 hit "I Think We're Alone Now" and numerous Al Kooper recordings. It was also part of Motown's studio between 1959-62, where it was used on records by The Supremes, Temptations and many others.
Soniccouture Ondioline KONTAKT screenshot
THE KONTAKT INSTRUMENT
MODELLED IR FILTER SWITCHES
'KNEE-CONTROL' LEVER
ORIGINAL 'JENNY PRESETS' MENU
ADDITIONAL ATTACK/DECAY SETTINGS
The Ondioline is a minimal synthesiser by todays standards, and we have sought to preserve that character in our emulation. No labels are visible until you turn a knob; then they appear. The main switch panel is labelled simply A - R and controls a variety of different oscillator shapes, filters & LFOs. The two large white dials control the level of the two divider circuits - effectively two sub oscillators 1 and 2 octaves below the main.
Soniccouture Ondioline KONTAKT screenshot
MYTHICAL LEAD SOUNDS
A few legendary recordings feed into the myths and misinformation about these early synth instruments: Del Shannon's "Runaway" (1961), The Tornados' "Telstar" (1962), and The Beatles' "Baby, You're a Rich Man" (1967). In fact, most reliable sources point to all of these records being performed on a Clavioline (although it may be that 'Clavioline' is often used as a generic term for any instrument of this type), said to be a simpler version of the Ondioline - although the model used for ‘Runaway’ was heavily modified by player Max Crook, adding tremolo, vibrato and spring reverb.
One of the most well-known Ondioline records is Stereolabs' 'Jenny Ondioline', which is simply a reference to 'George Jenny Ondioline'. The record itself does not feature the instrument.
Ondioline featured in the soundtrack to Spartacus, Tommy James and the Shondells' 1967 hit "I Think We're Alone Now" and numerous Al Kooper recordings. It was also part of Motown's studio between 1959-62, where it was used on records by The Supremes, Temptations and many others.
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Ondioline (KONTAKT) Все ссылки являются взаимозаменяемыми! / ALL LINKS ARE INTERCHANGEABLE! |
